Amelia Jones Biography, Age, Height, Husband, Net Worth, Family

Age, Biography and Wiki

Amelia Jones was born on 14 July, 1961 in Durham, North Carolina, United States. Discover Amelia Jones's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 62 years old?

We recommend you to check the complete list of Famous People born on 14 July. She is a member of famous with the age 62 years old group.

Amelia Jones Height, Weight & Measurements

At 62 years old, Amelia Jones height not available right now. We will update Amelia Jones's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Amelia Jones Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Amelia Jones worth at the age of 62 years old? Amelia Jones’s income source is mostly from being a successful . She is from United States. We have estimated Amelia Jones's net worth , money, salary, income, and assets.

Amelia Jones Social Network

Timeline

Throughout Amelia Jones' career she has been recognized for her valuable contributions to the art world. She has also been recognized for her progressive work with feminist ideas. She was award the Distinguished Feminist Award in 2015 which honors art, scholarship or advocacy advancing the cause of equality for women in the arts. Previous winners of the award include The Guerrilla Girls, Lucy Lippard and Lorraine O’Grady. Jones received a few awards prior that acknowledge her success as an art historian and feminist activist.

In addition to her work in academia, Jones has also curated a number of exhibitions, including Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History (1996) at the Hammer Museum, The Politics of Difference: Artists Explore Issues of Identity (1991) at the Chandler Art Museum at University of California, Riverside, and Material Traces: Time and the Gesture in Contemporary Art (2013) at the Leonard and Bina Ellen Gallery at Concordia University in Montreal. She is also independently organizing a retrospective exhibition on the work of American performance artist Ron Athey.

She is the daughter of Virginia Sweetnam Jones and Edward E. Jones, a Princeton Psychology professor. She studied art history as an undergraduate at Harvard University and completed her M.A. at the University of Pennsylvania. She received her Ph.D. from UCLA in 1991. Her dissertation was later turned into a published book, Postmodernism and the Engendering of Marcel Duchamp (1994). On March 7, 1987 Jones married Anthony Sherin, a film editor. They divorced in 2005. In 2007, Jones married artist Paul Donald. She has two children, Evan and Vita, from her first marriage. Jones currently resides in Los Angeles, California.

Amelia Jones (born July 14, 1961) originally from Durham, North Carolina is an American art historian, art theorist, art critic, author, professor and curator. Her research specialisms include feminist art, body art, performance art, video art, identity politics, and New York Dada. Jones's earliest work established her as a feminist scholar and curator, including through a pioneering exhibition and publication concerning the art of Judy Chicago; later, she broadened her focus on other social activist topics including race, class and identity politics. Jones has contributed significantly to the study of art and performance as a teacher, researcher and activist.

Jones is the author and editor of numerous books and anthologies on art history, performance studies, queer studies, and visual culture. She currently serves as co-editor of the Manchester University Press series Rethinking Art's Histories with Martha Meskimmon. Jones has edited A Companion to Contemporary Art since 1945, a collection of art history and criticism by contributors who write on such topics as technology, formalism, public space, diasporas, culture wars, the avant-garde, and the society of the spectacle. She has also edited The Feminism and Visual Culture Reader, the seven part work of Provocations, Representation, Difference, Disciplines/Strategies, Mass culture/Media interventions, Body, and Technology.